Blackmagic Design unveils high-end URSA Cine 12K
Located on the side of the camera, the built in status display features a very clear LCD design that’s easy to see, with or without the backlight on. The status display is a black and white design with custom content, so this allows it to be seen without any backlight being used and it’s very easy to see in bright sunlight. You can see timecode, shutter and lens settings, battery, record status and audio levels at a glance. When you are shooting at night you can turn on the backlight, but the LCD design rarely needs backlight so it can display its contents with minuscule power usage. When shooting outdoors in bright light, it can help to use ND filters to reduce the amount of light getting to the image sensor. Stopping down the light means you can shoot at a wider shutter angle for smooth motion blur, or you can shoot with iris settings to get creative depth of field effects!
A Land Before Time
This added room for cropping also comes into added play with the URSA Mini Pro 12K because it does not have in-body image stabilization. So, if you are one who likes to shoot wider then stabilize in post, starting with maximum resolution gives you the most flexibility. The URSA Mini Pro 12K also has the ability to grab a single still frame. Its smaller brother, the Blackmagic Design URSA Mini Pro 4.6K G2, records still frames as DNG files to a separate folder. However, the URSA Mini Pro 12K, it should be noted, records stills as a Blackmagic RAW frame. This is a proprietary format so you will need to check to see if your chosen stills editor can work with the files or whether you might need to use third-party software to process.
Data Rate Calculator
As I said, your experience might differ, especially if you don’t use DaVinci Resolve Studio. But, if you are already connected to the Blackmagic Design ecosystem, recording in Blackmagic RAW is probably going to be a benefit rather than a drawback. I have a respectable computer system, but not a fully decked out one by any means, yet even the 12K footage from the camera played back in DaVinci Resolve Studio without any struggle. The Blackmagic RAW files also proved to be quite malleable in post. Making raw adjustments was a breeze and these workflow improvements did not go overlooked. Or, of course, you can just shoot everything in 12K with the lowest compression and luxuriate in the phenomenal image quality.
Three Post Production Workflows!
But my computer really seems to dislike the codec on a personal level. Some of the files playback with ease, others playback with a stutter step worthy of an NFL halfback. This can make editing very difficult without taking the time to create proxies or make other adjustments to my workflow. But there are a few specific requirements that I have that I wanted to see if the URSA Mini Pro 12K could solve. While it’s possible to pull frames from 4K, or even 1080, the more megapixels the better for most of my still photography.
Program Video Monitoring
Blackmagic Design is known for their workflow solutions; their cameras are no different. Before you think of buying any camera, let alone this one, know what accessories you’ll need to make your camera work for your needs. Things like an electronic viewfinder (EVF) and shoulder mounting solution — or what lens mount you need — will change what kind of money you’re going to spend. Because no camera is perfect, I tend to shoot my motion projects on a large variety of cameras. Some require a run and gun approach with a small build and excellent autofocus.
USB-C for Direct Recording to External Disks
One, there are people in the world with far cleaner lab coats than my own that are better suited to comb through a camera pixel-by-pixel to produce mathematical conclusions. Instead, as a working photographer and cinematographer, what interests me far more is how a camera performs within the confines of a real-life workflow. In short, I want to know that I can trust a piece of gear and that it will provide added value to my workflow.
Strong and Lightweight Magnesium Design
While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on screen status and touch screen controls. The built in touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There's even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the on screen menus. The Blackmagic URSA Broadcast G2 features a high speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories.
Blackmagic URSA Mini 4.6K Short Film
Review: Blackmagic Design URSA Mini Pro 12K OLPF - TV Technology
Review: Blackmagic Design URSA Mini Pro 12K OLPF.
Posted: Fri, 01 Dec 2023 08:00:00 GMT [source]
Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project. This will allow you to browse the clips and let the camera sync your media files to other users globally. 1 x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu). 1 x Viewfinder USB-C with power, data, video and locking connector.
Includes DaVinci Resolve Studio
You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries. The new Blackmagic URSA Mini Recorder lets you record 12‑bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro 12K between the camera and the battery.
High resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfect focus. Lastly, we have the camera that offers the best comparison in function, the Sony FX9. It has all of the exterior controls and inputs to be ready to shoot out of the box, just like the URSA Mini Pro 12K. The Sony doesn’t capture internal RAW at all, but outputs it up to 16-bit, only in 4K. There is no way to capture that yet with what is in the external recorders market.
2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media. Seattle-based director and cinematographer, Note Suwanchote recently did a 12K and 8K camera test in Blackmagic RAW, using the Blackmagic URSA Mini Pro 12K. Note talks about the image quality for the new 12K sensor and how easy it is to shoot using Blackmagic’s RAW codec.
It would be a mistake to get a camera with the capability of the URSA Mini Pro 4.6K and not have a set of sticks to support it. All this said, just make sure you configure what you’ll need before you spend any money. It’ll improve what you can get from the tools if they are configured correctly. Festival Winner was shot with URSA Mini Pro 12K and completed post production using DaVinci Resolve Studio. Blackmagic Design departs from the usual push and hold button layout of most other cameras I’ve worked with in favor of a switch system for many of their controls.
So if you prefer a different recording format, this might pose a limitation. Personally, I knew I was already going to be working in DaVinci Resolve Studio, so that wasn’t a problem. Also, I was specifically interested in working in Blackmagic RAW to see if it would solve a practical issue that pertains to my specific workflow. 1 x 4-pin XLR port for external mains power supply or battery use.
Others require maximum image quality and require a small army of technicians to operate. Each job is different, so it’s hard to set out a one size fits all list of demands for a camera to achieve. Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and the shots from all cameras will have matched timecode.
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